
唢呐曲《百鸟朝凤》在吴天明电影遗作中的多重隐喻
张艳蕊
唢呐曲《百鸟朝凤》在吴天明电影遗作中的多重隐喻
On the Multi-level Symbol System of “Song of the Phoenix” in Wu Tianming’s Film Legacy
唢呐曲《百鸟朝凤》是吴天明电影遗作《百鸟朝凤》中的核心意象,其对传统文化、农耕文化、精英文化等的多重隐喻,承载了作为中国第四代导演杰出代表的吴天明对民间传统技艺传承、对传统文化、民族文化的思考,对电影创作的理想主义、艺术担当的坚守,以及对现代文化、西方文化、商业文化、大众娱乐文化的反思乃至批判。
Suona music “Song of the Phoenix” is the core image of Wu Tianming’s film legacy.The “Song of Phoenix” multiple metaphors of traditional culture, farming culture and elite culture which bears the outstanding representative of the fourth generation of Chinese directors and their deep thoughts on the inheritance of traditional folk art, thinking about traditional culture and national culture, adherence to the idealism and artistic responsibility of film creation, as well as reflections and on modern culture, urban culture, western culture, business culture and public entertainment culture.
唢呐曲 / 《百鸟朝凤》 / 吴天明 / 电影遗作 {{custom_keyword}} /
suona music / “Song of the Phoenix&rdquo / Wu Tianming / film legacy {{custom_keyword}} /
教育部人文社会科学规划项目(18YJAZH133);教育厅人文社会科学研究项目(2018-ZZJH-586);国家留学基金资助项目(201809905004)。
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